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Surviving Early Color Set Database

This database includes all surviving early color sets we are aware of. If you have information on the location of any of any early color sets, please contact us. All information will be kept in confidence. With their consent, we will publish the owner's name here. Edited and Maintained by Ed Reitan and Steve McVoy.  Contact either Ed or Steve with updates and comments. For more detailed information on early color sets, see Ed's site.

Sets added in 2006, 2007, 2008, 2009 and 2010

Field Sequential Sets 

Manufacturer

Model/Size

Surviving (museums)

Surviving (collectors)

CBS

 

 

 

 

RX-28  5" prototype (1946)

1

National Museum of Photography, Film & Television (England)

 

RX-43/FCC-8  prototype 7" combination receiver magnified to 9" (1949)

 

1

John Folsom

12CC2 10" “Combination”/”Dual” receiver magnified to 12 1/2" (the only commercially sold set) (1951)

1

MZTV (Toronto)

1

Ed Reitan

10" “Slave”/”Companion” magnified to 12 1/2" (1951)

1

Canada Science and Technology Museum (Ottawa)

1

Ed Reitan

RX-40/41 Color Converter (1950)

1

Early Television Museum

1

Anonymous

Personal Viewer (1950)

3

Early Television Museum (2)

Smithsonian Institute (DC)

 

Industrial Color Television Monitor Console 7" magnified to 9" (1951)

2

Canada Science and Technology Museum (Ottawa)

CNAM Museum (France)

 

Crosley Color Converter  

1

Ed Reitan

General Electric

Projection prototype (1946)

1

National Museum of Scotland

 

Gray Research

Model 1101 10" studio monitor magnified to 12 1/2" (1951)

2

CNAM Museum (France)

Early Television Museum

1

Anonymous

Unknown Color drum assembly, made with rectangular CRT  

1

Anonymous

Zenith

“Smith, Kline, & French” blonde receiver (1949) (20 built)

1

Smithsonian Institution (DC)

 

3

Dunedin Collection (Scotland)

Anonymous (2)

 

Early NTSC Sets

The following table shows prototype and first generation production sets made by U. S. manufacturers. [ ] indicates model number. ( ) indicates quantity reported but not verified.

FT (Field Test) means a receiver that was used in "Field Testing" of the NTSC Standards from late 1951 until May 1953. The NTSC submitted its petition after this testing to the FCC in July 1953.

PT (Prototype) is a set with a metal-cone CRT, or with screw socket mountings, or with no engraved stamping on the chassis, or which would have been made in very small quantities, or has characteristics/circuit additions that would indicate it is an experimental/prototype set

All other sets were either sold to the public, or have characteristics that made it clear that the manufacturer had developed them to the point where they could be sold.

Manufacturer

Model/Size

Surviving (museums)

Surviving (collectors)

Admiral

FT, 15", 21"

2-21” [C322C series]

Early Television Museum (2)

3-15” [C1617A]

Julian Burke

John Folsom

Anonymous

3-21” [C322C series]

John Folsom

Steve Williams

Anonymous

Arvin

15"

 

(1)- 15"

Anonymous

Capehart

19", 21"

1-19” [CXC-12]

Early Television Museum

1-21" [36C216M-5]

Early Television Museum

1-19” [CXC-12]

Anonymous

1-21" [31T216]

Anonymous

CBS Columbia

FT, 15", 16", 19", 22" rectangular

1-15" PT [RX-90]

Early Television Museum

2-15" PT [RX-89]

John Folsom

Anonymous

4-15" PT [RX-90]

John Folsom

Anonymous (3)

5-19" [205]

John Folsom

Anonymous (4)

1-22" rectangular

Anonymous

Chromatic Television Labs

Chromatron (several models)

 

 

Col-R-Tel

Color wheel NTSC converter

2 [100]

Early Television Museum

Museum of the Moving Image (NY)

24 [100]

John Folsom

Darryl Hock

Steve Kissinger

Ed Reitan

Anonymous (20)

Colordaptor

Color wheel NTSC converter kit

1 [C-15A]

Early Television Museum

3 [C-15A]

Anonymous (3)

Conrac

15", 21" studio monitor

 

 

Crosley

FT, Chromatron

 

 

Dage

15" studio monitor

1-15"  [650] monitor

Early Television Museum

 

Douglas

15" prototype

 

 

Dumont

15", 19", 21", 15" studio monitor

 

1-15" [monitor]

John Folsom

(1)-15" PT receiver

Anonymous

Emerson

FT, 15", 21"

   
Fada

15" prototype

   

General Electric

FT, 15", 21,", 15" studio monitor

1-15” [15CL100]

Early Television Museum

1-15” [4TM15] monitor

Early Television Museum

2-15” [15CL100]

John Folsom

Anonymous

4-15” [4TM15] monitor

Fred Hoffman

Anonymous (3)

1-21" [21C700]

Sean Duffy

Gilfillan

Chromatron, 21"

 

2- PT 21”

Ed Reitan

Anonymous

Hallicrafters

FT, Chromatron, 15", 21"

 

1-21” [21CK801] Hallicrafters cabinet - CTC4 chassis (note 6)

Ed Reitan

Hazeltine

FT, Triniscope, 16” projector (6 models)

 

 

Hoffman

15", 19", 21"

 1-19" [Colorcaster]

Early Television Museum

2 (1)-15" [15M1300U Colorcaster]

John Folsom

Anonymous (2)

2-19" [Colorcaster]

Anonymous (2)

5-21"  [Colorcaster]
Charles Sanders
Anonymous (4)

Magnavox

21"

 

 

Majestic

15"

 

 

Montgomery-Ward

21"

 

 

Motorola

FT, 15", 19", 21"

1-21" [19CK1]

Early Television Museum

1-21" [19CK2]

Early Television Museum

1-19" [19CT1]

Early Television Museum

3-21” [19CT1]

Early Television Museum

Pioneer Village (NE)

Radio & Television Museum (MD)

3-15” [16CK1]

John Folsom (2)

Bob Galanter

1-21" [19CK1]

Anonymous

4-19" [19CT1]

John Folsom

Fred Hoffman

Anonymous (2)

5-21” [19CT1]
Chip Foley
Tom Genova

Anonymous (3)

3-21" [21CT2]

John Folsom

Charlie Trahan

Anonymous

Muntz

Chromatron, 21”

 

1-21” [721CV] (note 6)

John Folsom

Olympic

21"

 

 

Pacific Mercury (Sears)

16"

 

1-16" PT chassis with metal color CRT and early “wand” convergence assembly

Ed Reitan

Packard Bell

21"

 

 

Philco

FT, 15", 21", Apple

2-21" [TV-123]

Early Television Museum

Pioneer Village (NE)

1-15” PT

John Folsom

4 (1)-21" [TV-123]

John Folsom

Pete Deksnis

Anonymous (3)

Polarad

15" monitor [M-200]

 

 

Raytheon

15" FT, 19", 21"

 

1-15" PT (chassis only)

Anonymous

RCA Labs

15 Triniscope models,  Telemural color projector [TLS50]

1- PT [Triniscope]

UCLA (CA)

1 - Telemural color projector with 21CT55 chassis [TLS50]

John Folsom

RCA Color Products Group

14 FT models

1-15” [Model 5]

Early Television Museum

1-  PT [Triniscope]

Anonymous

7-15” [Model 5] (note 1)

John Folsom

Monty Holt (2)

Ed Reitan

Anonymous (3)

RCA Victor

6 commercial models

16-15" [CT-100] (note 2)

See Pete Deksnis' site

5-21" [21CT55]

Early Television Museum (3)

MZTV (Toronto)

UCLA (CA)

2-21" [CTC4]

Early Television Museum (2)

120 -15" [CT-100] (note 2)

See Pete Deksnis' site

13 (1)-21" [21CT55]

(note 8)

John Folsom

Steve Kissinger

Ed Reitan

Anonymous (11)

26 (1)-21" [CTC4]

John Folsom

Mark Mason

Keith Park

Ed Reitan

J Stout

Anonymous (22)

RCA Broadcast

15”, 21” studio monitors

1-15" [TM10]

Museum of the Moving Image (NY)

1-21" [TM21]

Early Television Museum

4-15" [TM10]

John Folsom

Anonymous (3)

5-21" [TM21]

John Folsom

Fred Hoffman

Anonymous (3)

Sears-Silvertone

15", 21"

 

1-15” PT [4160]

John Folsom

Sears - Toshiba

16" rectangular

 

3-16" rectangular

Ed Reitan

Anonymous (2)

Sentinel

15", 21"

1-21" [IU-816] (Note 6)

Early Television Museum

 

Setchell-Carlson

21"

 

 

Sparton

15"

1-15” [16A211]

Early Television Museum

1-16” [PT]

John Folsom

Stromberg-Carlson

15", 21"

 

2-15” [K1]

Ed Reitan

Anonymous

1-21" [102CM] using CTC4 chassis (note 6)

John Folsom

Sylvania

FT, 15", 21"

1-21" [21C609M] using CTC4 chassis (note 6)

Early Television Museum

3 (1)-15” [451]

John Folsom

Anonymous (3)

2 - 31C/T Series

John Horvath

Anonymous

Tel-Instrument Co.

Color picture monitor

 

(Van Nuys - slide scanner and triniscope) [2400]

Telechrome Inc.

Triniscope picture monitor

 

(Lost Gilfillan Lab configuration with 10 racks)

Tele-King

FT

 

 

Truetone

19" (note 7)

   

Western Auto

21"

 

 

Westinghouse

FT, 15", 19", 21", 22" rectangular

1-15" PT (note 4)

Early Television Museum

3-15” [H840CK15] (note 3)

Early Television Museum

Westinghouse Museum (PA)

Wingham Museum (Ontario, Canada)

13 (1)-15” [H840CK15] (note 3)

John Folsom

Fred Hoffman

Anonymous (12)

2 (1)-22" rectangular

Anonymous (3)

Wickes

15/16” monitor

 

 

Wilcox-Gay

15" (Majestic)

 

 

Zenith

FT, 15"

 

7-15" (note 5)

John Folsom

Anonymous (6)

Notes:

1) 200 units were manufactured for use by RCA distributors and NBC affiliates for demonstrations of the first coast-to-coast colorcast of the January 1, 1954 Tournament of Roses Parade.

2) Approximately 5000 RCA CT-100s were made. Count for surviving RCA CT-100 from Pete Deksnis' site. Pete reports that 37 of these sets are opertional. If you are an owner of a RCA CT-100, Pete would like to hear from you.

3) Approximately 500 H840CK15s were made. For more on Westinghouse H840CK15 go to Marlin Mackley's site.

4) Preproduction prototype, with different HV section and extra chassis for color AFC. 

5) One surviving set has a Hytron CRT.

6) See this page about "clone" CTC-4 sets

7) Probably made by Raytheon 

8) Approximately 3000 RCA 21CT55s were made, using the a CTC-2 chassis similar to that used in the CT-100. See Pete Deksnis' site.

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